Showing posts with label Solo Guitars. Show all posts
Showing posts with label Solo Guitars. Show all posts

Friday, May 27, 2011

Richie Kotzen


Born in Reading Pennsylvania on February 3, 1970 Richie Kotz soon taken by music and began playing piano at age five at the age of seven he was inspired by New York City band KISS to learn electric guitar relentlessly developing chops and his own unique voice on the guitar Kotz eventually discovered by Shrapnel Records' Mike Varney, and he recorded his first album at the age of 18 during the same year he also graced the cover of several publications including Guitar World Magazine, he created the video Rock Chops for Reh video 1989 highlighted many of his formative techniques such as using large intervals and fluid sweeping

In 1993, Kotz scored his big break when he joined the rock band Poison at age 20 co-writing and performingThe album Ntiva Tongue This album produced two top twenty singles which Richie wrote Stand and until you suffer some Kotz subsequently fired from the band when it was discovered that he had been romantically with Deanna Eve ex-fiance of Poison drummer Rikki Rockett Kotz and Eve later married and divorced in 1999 Kotz replaced Paul Gilbert as guitarist in mainstream rock band Mr. Big Kotz maintained the band's enormous success performing on the Mr. Big record Get Over It, which sold more than 1.975 million copies in the first two weeks in Japan, eventually reaching platinum status contributed Kotz also guitars to Mr. Big subsequent release Actual Size registration included Kotz song Shine, which debuted at number one on Japanese radio charts after disbanding of Mr. Big Kotz released solo album Change 2003 title track and the song Get A Life was featured in TV commercials throughout Japan.
By mid-2002 Kotz established a recording studio / production company in Los Angeles, California, he has produced acclaimed solo albums and collaborated with various figures in rock and jazz fusion, he has now formed a band called forty Deuce has recently released a new album entitled "Nothing to Lose
Guitar style
Richie has a unique style which he has described as a blend of rock jazz fusion and soul music of his album he says he is most proud of Vertu Kotz uses a heavy amount of legato playing into his solos

Tuesday, May 24, 2011

Steve Vai


Born: June 06, 1960

Six-string wizard Steve Vai, along with his one-time teacher Joe Satriani, set the standard for rock guitar virtuosity in the '80s. Born on June 6, 1960, and raised in Carle Place, New York, Vai became interested in the guitar via such legendary artists as Jimi Hendrix, Led Zeppelin, and Alice Cooper as a teenager and, upon starting high school, took lessons with an older player from the school, Joe Satriani. Playing in several local bands, Vai quickly picked up on the instrument, and by the age of 18 was attending the renowned Berklee School of Music in Boston. As a student there, Vai transcribed several of Frank Zappa's most technically demanding compositions for guitar, and even sent a copy of one such transcription, "Black Page," to Zappa himself. Zappa was so impressed with the young guitarist that upon meeting him, he invited Vai to join his band.

Subsequently, Vai toured the world with Zappa (giving Vai the nicknames "Stunt Guitarist" and "Little Italian Virtuoso") and played on such albums as 1981's Tinsel Town Rebellion and You Are What You Is, 1982's Ship Arriving Too Late, 1983's Man from Utopia, plus 1984's Them or Us and Thing-Fish, before leaving to set out on his own. First off was a pair of self-financed, recorded, and released solo albums in 1984, Flex-Able and Flex-Able Leftovers, both of which showcased Vai's guitar playing and songwriting talents, yet were still heavily influenced by Zappa.

With Van Halen all the rage by the mid-'80s due to their massive hard rock/pop crossover success, Vai replaced Yngwie Malmsteen in a similarly styled outfit called Alcatrazz (which featured former Rainbow vocalist Graham Bonnett), playing on their overlooked 1985 release Disturbing the Peace. The same year, Vai made a cameo appearance in the movie Crossroads (playing the Devil's guitarist and shredding away in a guitar duel with Ralph Macchio) and got an invitation from his friend/bass master Billy Sheehan to try out for the guitar spot in singer David Lee Roth's solo band (Roth had just split from Van Halen), and eventually landed the gig. The debut release from Roth and his stellar solo band, Eat 'Em and Smile, arrived in 1986 and went on to become one of the year's top hard rock releases. Both Vai and Sheehan were catapulted to superstardom due to their instrumental talents, as they took top honors in numerous guitar magazines for years afterward.

But although the quartet showed great promise, Sheehan jumped ship just after their sophomore album, Skyscraper, was issued in 1988. Although the album was more pop-based than its predecessor, it became another sizable hit -- with Vai earning a co-producing credit on the album along with Roth. The same year, Vai issued his own line of snazzy guitars, the Jem 777 series, via the Ibanez company. After the ensuing tour with Roth wrapped up in late 1988, it was Vai's turn to jump ship. In addition to working on another solo album, he was invited to join up with chart-topping pop-metallists Whitesnake, an offer he accepted. His one and only album with Whitesnake, Slip of the Tongue, was issued in 1989, as was his third solo album overall, Passion and Warfare, a year later. The largely instrumental album was based on dreams that Vai experienced as a teenager, and it became a sizable hit, earning gold certification and solidifying Vai's standing as one of the top guitarists of the day. It was also around this time that Vai created a seven-string guitar through Ibanez. Although the instrument didn't catch on initially, it would by the mid- to late '90s, when the guitarists in such metal acts as Korn and Limp Bizkit would utilize the instrument to achieve super-low tunings.

After an extended hiatus, Vai formed his first conventional rock band (called...VAI) along with newcomer Devin Townsend on vocals, T.M. Stevens on bass, and Terry Bozzio on drums -- offering their one and only album in 1993, Sex & Religion. When the album proved to be a disappointment both critically and commercially, Vai returned to all-instrumental work with the 1995 EP Alien Love Secrets. For the remainder of the decade, Vai continued to issue solo releases, including 1996's Fire Garden, 1998's Flex-Able Leftovers (a re-release of his long out of print second solo album, with added tracks), and 1999's The Ultra Zone. It was also during the late '90s that Vai and Satriani reunited for an annual co-headlining tour (with a different third artist added each year), called G3, unleashing a live album, G3: Live in Concert, in 1997.

The early 21st century saw a flurry of releases from Vai, including a compilation of instrumentals, The 7th Song: Enchanting Guitar Melodies Archive, in 2000, and his first full-length live release, Alive in an Ultra World, in 2001, as well as his mammoth career-encompassing ten-disc box set The Secret Jewel Box. In 2002 he collected several pieces that he had contributed to films through the years, including the guitar duel from Crossroads and the theme to Bill and Ted's Bogus Journey and put them together in a 40-track collection called The Elusive Light and Sound, Vol. 1. A series of compilations came next, and after a five-year hiatus from the studio, Vai returned in 2005 with Real Illusions: Reflections. A tour with the Metropole Orchestra followed and he released a ambitious double live set documenting his performances, titled Sound Theories, Vols. 1-2, in 2007. In 2010, he performed with the North Netherlands Orchestra, debuting several new compositions that fused rock music with orchestral arrangements, dubbed the "Evo Era." Vai also made several television appearances in 2010, performing on The Tonight Show and on American Idol with Mary J. Blige, Orianthi, Travis Barker, Ron Fair, Orianthi, and Randy Jackson.

Over the years, Vai has guested on countless albums by other artists, including Gregg Bissonette's self-titled debut and Submarine, Alice Cooper's Hey Stoopid, Randy Coven's Funk Me Tender, Al di Meola's Infinite Desire, Public Image Ltd.'s Album, Joe Jackson's Symphony 1, and Billy Sheehan's Compression, and also releases from Mike Stern, Ozzy, and Meat Loaf. He can also be found on such additional Zappa releases as Jazz from Hell, Shut Up 'n Play Yer Guitar, Guitar, and on several volumes of the ongoing You Can't Do That on Stage Anymore series and the live tribute disc Zappa's Universe. As if his busy schedule weren't full enough, Vai pursued a lifelong interest when he began harvesting honey among five bee colonies in the backyard of his home. Greg Prato, Rovi

Yngwie Malmsteen


Born: 1963

Yngwie Malmsteen is arguably the most technically accomplished hard rock guitarist to emerge during the '80s. Combining a dazzling technique honed over years of obsessive practice with a love for such classical composers as Bach, Beethoven, and Paganini, Malmsteen's distinctively Baroque, gothic compositional style and lightning-fast arpeggiated solos rewrote the book on heavy metal guitar. His largely instrumental debut album, Rising Force, immediately upped the ante for aspiring hard rock guitarists and provided the major catalyst for the '80s guitar phenomenon known as "shredding," in which the music's main focus was on impossibly fast, demanding licks rather than songwriting. Malmsteen released a series of albums over the course of the '80s that, aside from slight differences in approach and execution, were strongly similar to Rising Force, and critics charged him with showing little artistic progression. He was also reviled as an egotist whose emphasis on blazing technique ultimately made for boring, mechanical, masturbatory music with no room for subtlety or emotion. Malmsteen responded by insisting that since he was already playing music he loved, he had no desire to develop any further, and that his love did come through in his playing. He also vehemently insisted that it was his imitators, not him, who reduced songwriting and composition to merely generic vehicles to show off the guitar player's amazing technique. Toward the end of the decade, Malmsteen fell out of favor with metal audiences, and even some of his musician fan base seemed to tire of him and the incredible amount of practice it would take for them to emulate him. Following a series of personal setbacks, tragedies, and even injuries, Malmsteen eventually resurfaced on small, independent labels and then recorded at a prolific, rapid pace, continuing to play the music he loved in his patented neo-classical style.

Yngwie (pronounced "ING-vay") Malmsteen was born Lars Johann Yngwie Lannerback in Stockholm, Sweden, in 1963, later adopting his mother's maiden name following his parents' divorce. He was an unruly child, and his mother tried without initial success to interest him in music as an outlet. However, when seven-year-old Yngwie saw a television special on the death of Jimi Hendrix featuring live performance footage of Hendrix setting his guitar on fire, he became obsessed with the guitar, learning to play the music of both Hendrix and favorites Deep Purple. Through Purple guitarist Ritchie Blackmore's use of diatonic minor scales over simple blues riffs, Malmsteen was led toward classical music, and his sister exposed him to composers like Bach, Beethoven, Vivaldi, and Mozart. He spent hours practicing obsessively until his fingers bled, and by age ten, his mother allowed him to stay home from school to develop his musical talents, particularly since he was considered a behavioral nightmare. Also at age ten, Malmsteen became enamored of the music of 19th century violinist/composer Niccolo Paganini, as well as Paganini's flamboyant style and wild-man image; this would provide the blueprint for Malmsteen's synthesis of classical music and rock. By the time he was 18, Malmsteen was playing around Sweden with various bands attempting to find an audience for his technically staggering instrumental explorations, but most listeners preferred more accessible pop music; frustrated, Malmsteen sent demo tapes to record companies overseas. When Mike Varney, president of Shrapnel Records -- a label synonymous with the term "shredder" -- heard Malmsteen's tape, he invited the guitarist to come to the United States and join the band Steeler in 1981.

Steeler recorded one album with Malmsteen on guitar, but dissatisfied with the band's rather generic style, Malmsteen moved on to the group Alcatrazz, whose Deep Purple and Rainbow influences better suited the guitarist's style. Still not quite satisfied, Malmsteen formed his own band, Rising Force, with longtime friend and keyboardist Jens Johansson. The new band's first album, also called Rising Force, was released in 1984; it was a largely instrumental affair spotlighting Malmsteen's incendiary guitar work and Johansson's nearly equally developed technique. The album was an immediate sensation in guitar circles, winning countless reader's polls in guitar magazines, reaching number 60 on Billboard's album chart (no mean feat for an instrumental album), and receiving a Grammy nomination for Best Rock Instrumental Performance. Malmsteen's subsequent albums, Marching Out and Trilogy, also sold quite well and consolidated his reputation and influence as a composer as well as a soloist. However, on June 22, 1987, a speeding Malmsteen crashed his Jaguar into a tree; in breaking the steering wheel with his head, he received a blood clot in his brain that nearly killed him and extensively damaged the nerves leading to his picking hand. In the course of recovery, he learned that his mother had died and that his manager had swindled him out of his earnings. Undaunted, Malmsteen regained the use of his hand and recorded Odyssey, his most accessible, radio-friendly collection to date; the single "Heaven Tonight" widened his audience beyond a devoted core of guitar fans and helped push the album into Billboard's Top 40. Following a world tour including the then-Soviet Union, the Rising Force unit disbanded and Malmsteen formed a new band in his native Sweden for 1990's Eclipse. The album was a success in Europe and Japan, but stiffed in the U.S. without much promotion.

An angry Malmsteen left PolyGram and, prior to the release of 1992's Fire and Ice, he was married to and divorced from a Swedish pop singer. Fire and Ice debuted at number one on the Japanese charts, and Malmsteen toured the world again. However, disaster struck frequently over the next two years. Hurricane Andrew destroyed Malmsteen's Miami property; his manager of four years died of a heart attack; Elektra dropped him from their roster; a freak accident left the guitarist with a broken hand, in addition to frequent bouts of tendinitis caused by his lightning technique; and in August 1993, Malmsteen's future mother-in-law, opposed to his engagement to her daughter, had him falsely arrested for holding the woman hostage with a gun. The charges were quickly dropped, and Malmsteen secured a deal with the Japanese label Pony Canyon after his hand had healed completely. He returned to recording with a vengeance, releasing The Seventh Sign in 1994, as well as two mini-albums (Power and Glory and I Can't Wait), and then Magnum Opus in 1995 and the all-covers album Inspiration in 1996.

After several years in near obscurity, Malmsteen returned to the headlines in 2002, after a fellow airline passenger threw water on him after he allegedly made a slanderous comment about homosexuals. This incensed Malmsteen, who had to be escorted away by security, all the while screaming to the passenger that she had "unleashed the f*cking fury." This stint proved to be so popular in revitalizing his career that his comeback album in 2005 appropriated the phrases as its title. While his popularity has largely faded in the U.S. due to a backlash against the excesses of '80s shredders, Malmsteen still finds audiences in Europe and is more popular in Japan and Asia than ever. Instru-Mental was released in February 2007. Steve Huey, Rovi

Joe Satriani


Born: July 15, 1956

Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. Born on July 15, 1956, in Westbury, NY, and raised in the nearby town of Carle Place, Satriani -- inspired by guitar legend Jimi Hendrix -- picked up the guitar at the age of 14 (although he was initially more interested in the drums). Quickly learning the instrument, Satriani began teaching guitar to others and found a kindred spirit in one of his students, Steve Vai. By the late '70s, however, Satriani had relocated to Berkeley, CA. With his sights set on his own musical career, "Satch" kept teaching others, including such future rock notables as Kirk Hammett (Metallica), Larry LaLonde (Primus), David Bryson (Counting Crows), and jazz fusion player Charlie Hunter.

In the early '80s, Satriani got a gig playing guitar with power popster Greg Kihn, doing some session work and touring with the group (an archival release recorded around this time, King Biscuit Flower Hour, was later issued in 1996), and issuing his own solo self-titled EP in 1984, financing and releasing the project entirely on his own. But when Vai hit the big time as the guitarist of David Lee Roth's solo band in 1986, he offered praise for his good friend and former teacher in several major guitar publications, leading to widespread interest in Satriani's playing. The timing couldn't have been more perfect for Satch, as he'd just issued his first full-length solo album, Not of This Earth, which automatically made ripples in the rock guitar community.

But the best was still to come, in the form of his sophomore release, 1987's Surfing with the Alien. Almost overnight, Satriani was widely regarded as one of rock's top guitarists, as the album earned gold certification and the guitarist would finish at the top of guitar magazine polls for years afterward. He was even handpicked by Mick Jagger to accompany the famous singer on a tour of Australia and Japan around this time. A stopgap EP, Dreaming 11, combined both studio and live tracks and was issued a year later, and in 1989, Satriani issued his third solo full-length, Flying in a Blue Dream. Another sizeable hit, the album also marked Satch's debut as a vocalist on several tracks. His career received another big push the same year when his song "One Big Rush" was included on the soundtrack to Cameron Crowe's hit movie Say Anything.

The '90s began with Satriani creating his own line of guitars for the Ibanez company (the JS Joe Satriani model), but it wasn't until 1992 that he would issue his next solo release, The Extremist. The double-disc set Time Machine followed a year later (a combination of new tracks, live material, and the long out of print Joe Satriani EP from 1984), and in 1994, Satch filled in on tour for the departed Ritchie Blackmore for heavy metal pioneers Deep Purple. Although he was asked to become a full-time member, Satriani turned down the offer to return to his solo career.

Satriani issued two more solo albums during the '90s -- 1995's self-titled release and 1998's Crystal Planet and also started the G3 guitar showcase tour with Vai in 1996, which became an annual event; Satriani issued a live document of the tour's initial run, G3: Live in Concert, a year later. 2000 saw Satriani issue his most musically daring release yet, the electronic-based Engines of Creation, and a year later, Live in San Francisco. Engines was nominated for a Grammy the next year, and after a successful tour he stepped back into the studio. The result, Strange Beautiful Music, was released in 2002. Electric Joe Satriani: An Anthology arrived in 2003, followed by Is There Love in Space? in 2004, Super Colossal in 2005, and Satriani Live! in 2006. In addition to his own albums, Satriani has guested on several other artists' albums over the years, including Blue Öyster Cult's Imaginos, Alice Cooper's Hey Stoopid, Stuart Hamm's Radio Free Albemuth, Pat Martino's All Sides Now, and Spinal Tap's Break Like the Wind. Satriani's thirst for collaboration extended to him joining forces with ex-Van Halen members Sammy Hagar and Michael Anthony for the 2009 supergroup Chickenfoot. The next year, Satriani returned to his guitar pyrotechnics with Black Swans and Wormhole Wizards. Greg Prato, Rovi

John petrucci

John Petrucci is best known as the guitarist and founding member of the progressive metal band Dream Theater. He is also the band's producer and main lyricist as well as an original member of the acclaimed Liquid Tension Experiment with Tony Levin. John is a long standing veteran of Joe Satriani's prestigious G3 tours along with Steve Vai, Eric Johnson and Paul Gilbert.

Born John Peter Petrucci on July 12, 1967, he grew up in Kings Park, New York, a small suburban town on Long Island. John began playing guitar at age 12 and quickly realized that music was his passion and that the pursuit of excellence on his instrument would consume him for the years to come. To that end, he practiced for at least 6 hours a day in an effort to further his understanding and technical abilities as a guitar player. Some of his early influences include Steve Morse, Al DiMeola, Steve Howe, Allan Holdsworth, Stevie Ray Vaughan, Randy Rhoads, Joe Satriani, Steve Vai, Alex Lifeson, Yngwie Malmsteen, Rush, Yes, Iron Maiden, The Dregs and Metallica. At age 18 after graduating from high school, he attended the Berklee College of Music in Boston along with schoolmate/bassist John Myung where they fatefully met drummer Mike Portnoy and quickly formed the nucleus of what was to become Dream Theater.

John proceeded to take his band on a very successful musical journey including many gold and platinum CD and DVD releases (see "discography") as well as extensive world tours (see "tour dates"). He would go on to receive many notable awards in the various guitar publications throughout the world, including the 2007 "Guitarist of the Year" as named by the readers of Total Guitar magazine and most recently "Best Metal Guitarist" in the 2010 Reader's Choice Awards poll in Guitar Player magazine.

John met his wife Rena Sands in 1989 and the two would later marry in September 1993. Rena was the guitarist and founding member of the all female metal band Meanstreak. Rena continues a career as a guitar player with her band Mixxed Company who can be seen playing regularly in the New York/east coast area.In 1995 John released his first instructional video called "Rock Discipline" and was also a contributing columnist in Guitar World magazine's "Wild Stringdom" series. A book by the same name would later be released as a collection of the lessons featured in the magazine. In 1998 and 1999 John released "Liquid Tension Experiment" and "Liquid Tension Experiment 2" respectively, along with DT band mates Mike Portnoy and Jordan Rudess and the inimitable Tony Levin on bass. Both albums would not only prove to be worthy and enjoyable side projects, but also favorites among fans worldwide. The year 2000 brought with it the unveiling of John's record label, Sound Mind Music. Created and run by his wife Rena, it's first release was "An Evening With John Petrucci and Jordan Rudess", an acoustic-instrumental live concert of Latin/Jazz improvised music for guitar and piano. The concert was recorded in June of that year at the Helen Hayes performing arts center in Nyack, NY.  In 2001 John joined the North American run of the popular G3 tour with Joe Satriani and Steve Vai. He performed as a trio with DT band mate Mike Portnoy on drums and bassist Dave LaRue of Dregs/Steve Morse Band fame. John would subsequently continue on with legs in Mexico and Japan with Joe and Steve ("G3 Live in Tokyo" was released in 2005) South America with Joe and Eric Johnson, Australia with Joe and Steve and again in North America in 2007 with Joe and Paul Gilbert.  In 2005 John released his first and much anticipated solo album titled, "Suspended Animation" on the Sound Mind Music label. The self-produced album of all instrumental guitar music featured Dave LaRue on bass and Dave DiCenso on drums. Drummer and re-mixer Tony Verderosa also contributed to the CD and can be heard on the song "Tunnel Vision". The album was mixed by friend and long time DT producer/mix engineer Kevin Shirley. Many of the songs John debuted live while on tour with G3 would later make up the bulk of the CD. John is a long time Ernie Ball/Music Man endorser who proudly has a 6 and 7 string signature model guitar with called the "John Petrucci BFR". He is also an avid and loyal user/fan of Mesa Boogie amplification as well as a devoted DiMarzio and Dunlop endorser (see "gear"). You can catch John regularly doing clinics/master classes for Ernie Ball and Mesa Boogie in diferent locations throughout the world (see "clinics"). John currently resides on Long Island with his wife Rena and three children Samantha, Reny and Kiara and two cats named Miss E. and Mr. E. Cupcake. He enjoys spending his lesiure time having fun with his family, dining, watching movies, skiing and vacationing as well as doing home improvements. John is also an avid fan of bodybuilding and dedicates much of his off time to weight training. He is a voting member of NARAS.

Paul Gilbert

 Paul became interested in music under the influence of his parents at the age of five. On his 5th birthday, his parents gave the toy guitar and toy amp to him. He started to play the guitar in 1971. At the age of 9, he became listening to music; hard rock/heavy metal like LED ZEPPELIN, KISS, AEROSMITH and HEART. When he was 11, Eddie Van Halen guitar play gave him a great shock. And he started to play with band. At the age of 15, he sent Mike Varney (a president of the record company, "Shrapnel") his demo tape. And Mike liked his demo tape. So Mike talked to him, "How about recording?". But it wasn't realized. He graduated high school and moved to Los Angeles to entered G.I.T in 1984. In September, 1985, he became a teacher of G.I.T. At the same time, he formed his band called ELECTRIC FENCE. The members of his band were Paul (guitar/bass), Jeff Martin (drums) and Russ Parrish (guitar/bass). They were jamming cover songs. In 1986, he started the new band called RACER X. But he quit RACER X in 1988. In 1989, he joined MR.BIG. They released first album,"MR.BIG" in the same year. In 1996, they made an announcement about their permanent off. Paul released his first solo album,"KING OF CLUBS" in 1997. And he went to road as his first solo tour in 1998. In the same year, he released his 2nd solo album,"FLYING DOG". And he came back to Japan to play live in 1999. He made an announcement about leaving MR.BIG at the same time.In 1999, October, RACER X is back !! They makes their reunion album. Now, Paul Gilbert enjoys making and playing his favorite music.

Carlos Santana

 Guitarist. Born July 20, 1947, in Autlán de Navarro, Mexico. His father, Jose, was an accomplished professional violinist, and Carlos learned to play the guitar at age 8. In 1955, the family moved from Autlán de Navarro to Tijuana, the border city between Mexico and California. As a teenager, Santana began performing in Tijuana strip clubs, inspired by the American rock & roll and blues music of artists like B. B. King, Ray Charles, and Little Richard. In the early 1960s, Santana moved again with his family, this time to San Francisco, where his father hoped to find work.

Guitarist. Born July 20, 1947, in Autlán de Navarro, Mexico. His father, Jose, was an accomplished professional violinist, and Carlos learned to play the guitar at age 8. In 1955, the family moved from Autlán de Navarro to Tijuana, the border city between Mexico and California. As a teenager, Santana began performing in Tijuana strip clubs, inspired by the American rock & roll and blues music of artists like B. B. King, Ray Charles, and Little Richard. In the early 1960s, Santana moved again with his family, this time to San Francisco, where his father hoped to find work.

In San Francisco, the young guitarist got the chance to see his idols, most notably King, perform live. He was also introduced to a variety of new musical influences, including jazz and international folk music, and witnessed the growing hippie movement centered in San Francisco in the 1960s. After several years spent working as a dishwasher in a diner and playing for spare change on the streets, Santana decided to become a full-time musician; in 1966, he formed the Santana Blues Band, with fellow street musicians David Brown and Gregg Rolie (bassist and keyboard player, respectively).

 With their highly original blend of Latin-infused rock, jazz, blues, salsa, and African rhythms, the band (which quickly became known simply as Santana) gained an immediate following on the San Francisco club scene. The band's early success, capped off by a memorable performance at Woodstock in 1969, led to a recording contract with Columbia Records, then run by Clive Davis. Their first album, Santana (1969), spurred by a Top 10 single, "Evil Ways," went triple platinum, selling over four million copies and remaining on the Billboard chart for over two years. Abraxas, released in 1970, went platinum, scoring two more hit singles, "Oye Como Va" and "Black Magic Woman." The band's next two albums, Santana III (1971) and Caravanserai (1972), were also critical and popular successes.

As the band's personnel changed frequently, Santana (the band) came to be associated almost exclusively with Santana himself who soon became the only remaining member of the original trio and his psychedelic guitar riffs. In addition to his work with his band, Santana recorded and performed with a number of other musicians, notably drummer Buddy Miles, pianist Herbie Hancock, and guitarist John McLaughlin. Along with McLaughlin, Santana became a devoted follower of the spiritual guru Sri Chimnoy during the early 1970s. Disillusioned with the heady, drug-addled world of 1970s rock music, Santana turned to Chimnoy's teachings of meditation and to a new kind of spiritually-oriented music, marked by a popular jazz album he recorded with McLaughlin, Love, Devotion, Surrender, in 1973.

Throughout the 1970s and early 1980s, Santana and his band released a string of successful albums in their unique style. Notable albums of this time period included Amigos (1976) and Zebop (1981). During the 1980s, he continued to tour and record both solo and with the band, but his popularity began to decrease with the commercial audience's dwindling interest in the jazz/rock blend. Nevertheless, Santana earned critical acclaim throughout the decade, winning his first Grammy Award, for Best Instrumental Performance, for the 1987 solo album Blues for Salvador. He toured extensively, playing in sold-out auditoriums and on tours like LiveAid (1985) and Amnesty International (1986).

Saul Hudson ( Slash)

 Saul Hudson, mainly known as Slash, was born on July 23, 1965, and was raised in Stoke-on-Trent. Both his parents worked in the entertainment business, his mother being a clothing designer (she did some of David Bowie's costumes) and his father being an art director for a record company. When Slash was 11 he moved with his mother to Los Angeles, leaving his father behind in England, although he eventually joined them in L.A. years later. Slash became sort of an outsider at school since he didn't really fit in with other kids. In the mid 70s his parents separated and Slash moved in with his grandmother. During this time Slash got interested in BMX riding, and went on to win several awards and money in competitions. When he was 15 he got his first guitar, and his schoolwork started to go downhill as he skipped class to sit playing guitar all day. Slash eventually got so tired of school that he dropped out in 11th grade. As he lived in Los Angeles, a city flourishing with new, young rock bands, he quickly got in touch with people to jam with. After meeting Steven Adler the two of them formed a band called Road Crew. Then he met Izzy Stradlin who played in a band with Axl Rose, and after hearing Axl sing live, he was set on getting him in his band. Soon a bass player answered one of Slash's ads in the paper, and Slash (guitar), Steven (drums), Izzy (guitar), Axl (vocals) and Duff McKagan (bass) formed Guns N' Roses in 1986. Soon enough, GNR were known across the globe as the new rock n' roll sensation. Album sales went sky high and the band was having a blast on their world tours, and during this time Slash worked with artists like Michael Jackson on the Dangerous album and Lenny Kravitz, just to name two. But after the Use Your Illusion tour, GNR decided to take a break. Slash however, needed to play music and so he formed his own band Slash's Snakepit. With the success of this bands album It's Five O'Clock Somewhere (1995), Slash told the public that Slash's Snakepit would be back again. During this time Slash and Axl were having some heated arguments about Guns N' Roses and what would happen next. Guns N' Roses as we knew them then, was terminated by the result as Slash decided to leave the band, handing all rights of the band name over to Axl. After this Slash did a few gigs here and there, formed a band called Blues Ball who played blues covers, and even brought back Slash's Snakepit as he said he would, although they didn't last very long this time either. In 2000, Slash met Perla Ferrar and on October 15, 2001, married her. It's not surprising that he wore black leather pants, a white shirt and his faithful black leather jacket to the wedding! His new status as a married man didn't slow him down, though. In 2003, Velvet Revolver was formed by the former members of Guns N' Roses; Slash, Duff and Matt (who replaced Steven in 1990), Scott Weiland (vocals) from Stone Temple Pilots and Dave Kushner (guitar) from Wasted Youth. Velvet Revolver's debut album Contraband (2004) was long-awaited and sold incredibly well. They are now going to show up on the second Live Aid concert along with many other huge artists, which will be held in London. Velvet Revolver's plans to become a rock band of great magnitude are definitely in the works, and Slash himself has earned his title as one of the greatest rock n' roll guitar players in history.

 
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