Black Sabbath are the  archetypal heavy metal band, the blueprint for countless imitators that  sprang up in the late Seventies. While Deep Purple had classical  pretensions and Led Zeppelin indulged in mysticism, Sabbath blended  down-to-earth heavy rock with highly theatrical occult imagery. Their  menacing presence, aided and abetted on stage by the manic leaps of  singer Ozzy Osbourne, provided an aggressive contrast to late Sixties  flower power. It also established a musical formula, which would, with  time, come to seem restrictive, and lead to serious disagreements within  the band.  
 
The four original members - guitarist Tony Iommi, born 19th February  1948, drummer Bill Ward, born 5th May 1948, bassist Geezer Butler, born  17th July 1949 and vocalist Ozzy Osbourne, born 3rd December 1948 - left  the same Birmingham school together in 1968 to form a group called  Earth. Playing a Jazz-Blues fusion, they gigged continuously in  Birmingham and Hamburg, where they broke the Beatles' house record at  the Star Club. Despite their cult following, they became frustrated by  their lack of international success. Under the guidance of their first  manager Jim Simpson, they changed their name in 1969 to Black Sabbath  (the title of one of their early songs), increased the volume and  adopted a suitably macabre image.  
 
Paranoid and paranormal 
They continued touring the club circuit in Britain and Germany, and  released a one-off single on Fontana. The same cut - Evil Woman - became  their first single on Vertigo Records in March 1970. Their first LP,  Black Sabbath, was released simultaneously. Recorded in two days at a  cost of £600, it reflected their adherence to rock basics, although  overdubbed sound effects, church bells, rain etc., added the required  'occult' flavour. Heavily promoted for its association with the  paranormal, the record stayed in the UK charts for three months.  
 
Maintaining their momentum, the band returned to the studio to record  what was to become their classic single, Paranoid, and the album of the  same name. Released together in September 1970, these records confirmed  the band's domestic popularity. Paranoid reached number 4 in the UK  charts and also won interest for the band in the US. Embarking on a  university tour there in the autumn of 1970, Ozzy and the band  consolidated the strong impression they had made on American hard rock  fans. The quick success of both LP and single surprised both the band  and their record company, with the album eventually clocking up a  65-week stay in the Billboard charts. 
 
 
 Sabbath under strain 
Sabbath went on to extend their popularity by maintaining a gruelling  worldwide touring schedule throughout the early Seventies. Their  behaviour on the road and in hotels conformed to heavy rock tradition -  room wrecking, groupie and drinking binges, and so on. Ozzy in  particular appeared to be interested only in alcohol and hectic rock  music, drawing his energy from the rapport he created with his  increasingly dedicated following. The Master Of Reality album, released  in 1971, and Black Sabbath 4, released in 1972, earned Black Sabbath  world-wide recognition, but it was Sabbath Bloody Sabbath, released in  1973, that finally achieved an ideal fusion of the band's live energy  and the crushing, oppressive weight of their doomy songs.  
 
Success brought its problems for Black Sabbath. They had parted company  from their original manager Jim Simpson, replacing him first with  Patrick Meehan and then with Don Arden. Now they found themselves on the  receiving end of accusations of contract breaking from Simpson, and  Ozzy was handed a subpoena as he walked on stage at an American date in  1975.   
 
As a result of these wrangles, Sabbath attempted to manage themselves.  Since they were writing and recording an album a year and undertaking a  punishing tour schedule, including their debut in Madison Square Garden  in New York in 1975, the strain was beginning to tell. Ozzy was drinking  heavily, and personality conflicts were developing within the band.  
 
Ozzy's insistence that the band live up to his hard drinking image was  beginning to concern the other members, while on a musical level, Tony  Iommi's increasing interest in more complex arrangements was alienating  Ozzy, who preferred a basic approach. Sabotage, released in September  1975, adhered to the basic heavy-rock formula, but the sessions for  Technical Ecstasy the following year saw Iommi experimenting with  overdubbing and even, in Ozzy's absence, a horn section. Ozzy drew away  from the other members of the band, and in 1977 he left Black Sabbath  only to rejoin a year later, ousting his temporary replacement, former  Savoy Brown singer Dave Walker. Ozzy and Black Sabbath cut one more  album together, Never Say Die in 1979, but the ill feeling remained and  Ozzy departed in a flurry of insults to launch in solo project, Blizzard  of Oz.   
 
Ozzy goes bats 
Ozzy's departure deprived the band of their front man, one who went on  to develop even higher peaks of the macabre. He also took with him a  sizeable portion of Black Sabbath's audience, for whom he had always  been, the focal point. His albums, Blizzard of Oz (1980) and Diary of a  Madman (1982) were remarkably successful, particularly in the US, where  'Diary' remained on the Billboard charts for over a year.  
 
The remaining members of Black Sabbath, meanwhile, recruited former  Rainbow vocalist Ronnie James Dio. Bill Ward retired for health reasons,  to be replaced by Vinnie Appice, younger brother of Vanilla Fudge  drummer Carmine Appice. Geezer Butler also left briefly but returned to  the fold soon afterwards. Dio resisted the temptation to imitate Ozzy's  style, stamping his own personality on the two studio albums, Heaven and  Hell (1980) and Mob Rules (1981). Acrimony persisted between Ozzy and  the band, especially after the 1980 release of Sabbath, Live At Last,  which featured recordings made before the split. Ozzy still laid claim  to much of the Sabbath catalogue, using the old numbers in his act and  on a live album.   
 
Tension was developing between Dio and the other members of Black  Sabbath over his dominant role in the group, with Iommi alleging that  Dio had tampered with the mixes of Live Evil (1982) to make his vocals  more prominent. In November 1982 they split with Dio, who took drummer  Vinnie Appice with him to form a new band, entitled Dio. At the same  time Butler and Iommi dissatisfied with the efforts of Sandy Perlman,  who had become their manager, signed a deal with their old boss Don  Arden. 
Although the beginning of 1983 saw Black Sabbath unsure of their future,  the vitality that drove the group to worldwide success in the early  Seventies had left its mark. For several years, Black Sabbath were the heavy metal band, and 'Paranoid' was the heavy metal anthem.                         
 
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